To many Americans seeing this New York Times Magazine cover this weekend, Noomi Rapace is probably known as, "that chick from Sherlock Holmes 2."

But she was the first Lisbeth Salander from The Girl with the Dragon Tattoo series (the Swedish version), and it looks like she's finally gonna be getting her due this summer, with a starring role in the Ridley Scott sci-fi film Prometheus.
The American version of The Girl with the Dragon Tattoo has come and gone now at the box office, and despite a few Oscar nods (including Best Actress nominee Rooney Mara), it wasn't nearly the huge box office smash that everyone thought it would be (except, of course, for David Fincher, who knew it would be the "feel bad movie" of the holiday season).
With Rooney Mara's buzz cooling at the moment (just wait until her Terrance Malick and Steven Soderbergh flicks get released), her Swedish Salander counterpart is gaining momentum. It will be interesting to see how Rapace will be received following her first huge American release this summer. The comparisons will surely ensue, but I believe that Rapace is gonna be a huge star for a few reasons.
One, she doesn't look like "Lisbeth Salander" in person. After first seeing the Swedish series, I was shocked to look up Rapace on IMDB and discovered she looked like. . . a girl---a beautiful one at that. Maybe Rooney Mara is still gearing up for the American Dragon Tattoo sequels, but I think Hollywood has yet to really embrace her because. . .she always looks like Lisbeth.
While Rooney Mara did a fine job in the American Dragon Tattoo, and I would say was deserving of the nomination, the Oscar nod should be shared with Noomi Rapace, who paved the way for the role. American audiences may give Mara all of the credit, but the Lisbeth Salander inspiration existed long before Mara came on the scene, when she dumped Jesse Eisenberg in the opening sequence The Social Network.
Because Rooney Mara is Lisbeth 24/7, she runs the risk of being typecast, whereas Rapace distanced herself from the Dragon Tattoo role, having turned down the chance to reprise the role in the American version. In hindsight, this was probably a good move for Rapace. Six movies of the same role can get exhausting to both actors and audiences. Plus, now that the American version has been released, the fans who did like the film probably don't want to wait for the Fincher sequels; they'll look the Swedish films up on Netflix, the subtitled versions finding a bigger audience.
Maybe it's because I'm just partial to Rapace that I'm expecting big things, but the one main difference I found in Mara's Lisbeth versus Rapace's Lisbeth was the eyes. Mara looked like a robot, whereas somehow with Rapace, the audience was rooted in the story through her face. Sometimes, she wouldn't even say anything, but give a glance, and she had the audience laughing or reacting in some way. The only other actress I've ever seen with such heartfelt peepers is Kate Winslet---and she has an Oscar and an Emmy.
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